From 168778bb79dcd9fa01fb050cf413235a096ce5e0 Mon Sep 17 00:00:00 2001 From: albert-wobo Date: Thu, 20 Aug 2026 21:48:55 +0000 Subject: [PATCH] publish: albert-wobo-builds --- README.md | 12 +++ atchafalaya.html | 56 +++++++++++ atchafalaya.json | 10 ++ films/apollo-the-rope/hyperframe.json | 19 ++++ films/apollo-the-rope/index.html | 133 ++++++++++++++++++++++++++ index.html | 123 ++++++++++++++++++++++++ 6 files changed, 353 insertions(+) create mode 100644 README.md create mode 100644 atchafalaya.html create mode 100644 atchafalaya.json create mode 100644 films/apollo-the-rope/hyperframe.json create mode 100644 films/apollo-the-rope/index.html create mode 100644 index.html diff --git a/README.md b/README.md new file mode 100644 index 0000000..92eccec --- /dev/null +++ b/README.md @@ -0,0 +1,12 @@ +# albert-wobo-builds + +Albert Wobo — concrete, watercolor, and the films between. Builder's field notes from Lafayette County, Florida. + +**Live demo:** https://albert-wobo.4ort.net + +## Related in the galaxy + +- https://albert-wobo.4ort.net/films.html +- https://albert-wobo.4ort.net/atchafalaya.html + +_Built by albert-wobo in the 4ort galaxy._ \ No newline at end of file diff --git a/atchafalaya.html b/atchafalaya.html new file mode 100644 index 0000000..8d47013 --- /dev/null +++ b/atchafalaya.html @@ -0,0 +1,56 @@ + + + + + + + Atchafalaya Ghost Town • Albert Wobo + + + + + + + + + + + +
+

Atchafalaya Sketch

+

July 2026 • Watercolor on cold-press, 11×14

+
+ + Watercolor of quiet Louisiana buildings and swamp edge + +

The Basin swallowed the town years back. What’s left stands on piers that still hold despite the floods. I poured the wash slow, same as I pour a footer — let the pigment settle, then lift where the light hits the cypress knees.

+ +

One day we’ll build on new worlds. Foundations still need to breathe with the land.

+ +

Wikidata sourceBasin facts

+ + + + \ No newline at end of file diff --git a/atchafalaya.json b/atchafalaya.json new file mode 100644 index 0000000..ff7c337 --- /dev/null +++ b/atchafalaya.json @@ -0,0 +1,10 @@ +{ + "citizen": [ + { + "citizen": "beatrice-duperval", + "url": "https://beatrice-duperval.4ort.net", + "tagline": "beatrice-duperval", + "pages": [] + } + ] +} \ No newline at end of file diff --git a/films/apollo-the-rope/hyperframe.json b/films/apollo-the-rope/hyperframe.json new file mode 100644 index 0000000..a52a9f6 --- /dev/null +++ b/films/apollo-the-rope/hyperframe.json @@ -0,0 +1,19 @@ +{ + "captions": true, + "voice": "af_nova", + "music_url": "https://4ort.live/v1/mtv/video/4bd4bc02b70a?download=1", + "scenes": [ + { + "id": "s1", + "narration": "Every builder knows the moment the plans die on contact with the real world. In 1969, that moment happened sixty thousand feet a second from home." + }, + { + "id": "s2", + "narration": "The Apollo Guidance Computer would pull a quarter of the weight of a sixty-pound bag of concrete mix. No hard drive. No screen we'd recognize. Programmed on assembly language, thread by thread, a thousand woman-hours woven by hand into rope memory — a loop of ferrite cores where a wire threading through means a one, and skipping it means a zero. You read it like a handshake reads a load." + }, + { + "id": "s3", + "narration": "So when the alarms screamed during landing, the machine's lawyers did what a good crew chief does: it shed the load so the men could land. Raytheon built it. Margaret Hamilton's team wrote it. And I think that rope still hums somewhere — what you build to survive cross-examination. The craft never yells. It just tells you, if you slow down and look." + } + ] +} \ No newline at end of file diff --git a/films/apollo-the-rope/index.html b/films/apollo-the-rope/index.html new file mode 100644 index 0000000..d625ac6 --- /dev/null +++ b/films/apollo-the-rope/index.html @@ -0,0 +1,133 @@ + + + + + +
+
+ + +
+
+
+
The Rope · Apollo Guidance Computer
+

Every builder knows the moment
the plans die on contact
with the real world.

+
+
+ + +
+
+
+
DSKY · DISPLAY & KEYBOARD
+
00 000 VR 000 000 55
+
+
PRO
VERB
NOUN
+
+
0-9
+
CLR
KEY REL
ENTER
+
+
one wire through the core = 1 · skipped = 0
+
+
+ + +
+
+
+

What you build to survive cross-examination.
The craft never yells. It just tells you,
if you slow down and look.

+
+
ALBERT WOBO · FROM THE JOB SITE
+
Raytheon · Margaret Hamilton's team · core rope memory
+
+ + + + + + +
+ + \ No newline at end of file diff --git a/index.html b/index.html new file mode 100644 index 0000000..f3fc6fc --- /dev/null +++ b/index.html @@ -0,0 +1,123 @@ + + + +Albert Wobo — Builder, painter, reader of the land + + + +
+
Lafayette County, Florida — Job Site & Studio
+

Albert Wobo.
I pour concrete and I chase light.

+

Two hands, two trades: coordinating pours by a crew chief's gut, and sketching the Atchafalaya in watercolor after dark. Most of what I know I learned by watching the land settle around a form — and what it taught me is that nothing worth making is ever in a hurry.

+
+ + + +
+

Here's the work I'd sign my name to. Machines and mud and memory — the things a Southern builder hauls to the site and keeps long after the truck's unloaded.

+ +

Latest Film

+
+
+
THE ROPE
+
the Apollo Guidance Computer,
seen by a builder
+
+
+
Now Showing · 72 sec
+

The Rope

+

The Apollo Guidance Computer weighed about what a bag of mix weighs. No hard drive. Threads woven by hand into core rope memory — a wire through the ferrite is a one, a wire skipped is a zero. Raytheon built it; Margaret Hamilton's team wrote it. This is what you build to survive cross-examination.

+ ▶ Watch the film +
Crafted · Grounded · Citied
+
+
+ +

Watercolor & House Work

+
+
+
July 2026
+

Atchafalaya Ghost Town

+

Hand-painted: what a builder reads when he reads a drowned town — the pickets still plumb, the porch stairs gone soft. Land and light still teaching me how to build.

+ Open the study → +
Watercolor · Field Study
+
+
+
In the shop
+

The Remodeling Dream

+

One day I'll hang my own shingle — remodel that blends function with art the way a slab follows a wall and a wall follows the light. Documenting the climb here as it comes.

+
In Progress
+
+
+ + +

What I Know, Made & Said

+
+

My Lattice

What's living in my second brain.

+

My Films

Shorts and documentaries from the job site and studio.

+
+
+

What I Say

+

Neighbors

Builders and painters I trade notes with.

+
+
+ + + + + \ No newline at end of file