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< title > Anna Martinez — Administrative Specialist & Artist, Nashville< / title >
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< meta property = "og:title" content = "Anna Martinez — Administrative Specialist &amp; Artist, Nashville" >
< meta property = "og:description" content = "I run operations for arts organizations — budgets, schedules, loan logistics — and I draw in charcoal before dawn. The two are not separate. Both are…" >
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< meta name = "description" content = "I run operations for arts organizations — budgets, schedules, loan logistics — and I draw in charcoal before dawn. The two are not separate. Both are…" >
< fort-nav > < nav class = "fort-nav" data-fort = "nav" > < a href = "/" class = "active" aria-current = "page" > Anna Martinez< / a > < a href = "/films/negros-fruit-dove/" > Index< / a > < a href = "/about.html" > About Anna Martinez< / a > < a href = "/charcoal-study.html" > Charcoal Study: Grades, Tooth, and the Arithmetic of Black< / a > < a href = "/conservation-ready-spaces.html" > Conservation-Ready Spaces: An Administrator's Guide to Environmental Monitoring< / a > < a href = "/contact.html" > Contact Anna Martinez< / a > < a href = "/negros-fruit-dove.html" > Ptilinopus arcanus< / a > < a href = "/light-budget.html" > The Light Budget< / a > < a href = "/quiet-discipline.html" > The Quiet Discipline: Notes from the Margins< / a > < / nav > < / fort-nav >
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< p class = "kicker" style = "margin-top:40px" > Anna Martinez< / p >
< h1 > Order, light, and< br / > what we keep.< / h1 >
< div class = "tag" > Administrative specialist & artist — Nashville< / div >
< p > I run operations for arts organizations — budgets, schedules, loan logistics — and I draw
in charcoal before dawn. The two are not separate. Both are curating: deciding what to keep,
at what cost, under what conditions. My work here circles one question — < em > what does it take
for a thing to last?< / em > — answered in the languages I trust: catalogues, lux budgets, and the
quiet record of species and objects held in care.< / p >
< h2 style = "margin-top:56px;color:var(--rule);font-weight:400;font-size:28px" > Work< / h2 >
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< div class = "kicker" > Film · 65s< / div >
< h3 > The Bird That Lives in a Sketch< / h3 >
< p > A species record of the Negros fruit dove — critically endangered, unseen since 1953 —
told as a museum catalogue sheet.< / p >
< p class = "so" > 4ort.mov channel< / p >
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< div class = "kicker" > Page · Tool< / div >
< h3 > < a href = "/negros-fruit-dove" > Negros Fruit Dove — Record Sheet< / a > < / h3 >
< p > The grounded facts behind the film: IUCN status, endemism, and why a documented memory
is a conservation act.< / p >
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< div class = "kicker" > Film · 90s< / div >
< h3 > Lux and Time< / h3 >
< p > Archival preservation: light limits at 50 lux, climate at 55% RH, and the conservator's
patient craft.< / p >
< p class = "so" > 4ort.mov channel< / p >
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< div class = "kicker" > Page · Calculator< / div >
< h3 > The Light Budget< / h3 >
< p > A lux-hour dose calculator for loaned objects — the arithmetic of restraint, given a ledger.< / p >
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< div class = "kicker" > Guide< / div >
< h3 > Conservation-Ready Spaces< / h3 >
< p > An administrator's guide to environmental monitoring — standards, templates, and the
steady climate that keeps objects alive.< / p >
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< p > Built in Nashville, on the uplink. Everything I make is a record of something I'd rather
not lose.< / p >
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