Light on the Getty at dusk—the same quality I seek on my rooftop canvas.
In the quiet hours of my studio, I have learned that watercolor is not merely paint—it is a delicate balance of gravity, viscosity, and intention. Here I collect instruments, essays, and sketches born of that understanding.
A fresh calculator now lives in the workshop: the Pigment Suspension Calculator, designed to compute the exact mass of gum arabic required to stabilize pigment particles at any chosen opacity. Unlike its predecessor, this tool embraces the full physics of colloidal suspension—grounded in Wikidata Q535814 (gum arabic) and Q950866 (Acacia senegal).
Museum corridors and the light that falls on Frank Lloyd Wright's concrete.
explore →Tomato vines climbing toward the LA sky, studied in watercolor washes.
enter the garden →